Latest Process Study

06.28.2010 / Study 12 / Project: Grimm Brother Brewhouse

Study 12

The Tenfold Collective

When The Tenfold Collective first meets with a client to discuss creating their brand, we don’t just want to know about the product and target audience. We want to know what makes them tick. To get inside our client’s head we try to adhere to a process to make sure we’re touching on everything that goes into creating a personal and effective brand.

Now, let’s be clear — we don’t believe in a formula that works every single time. We acknowledge (and even revere) the pure intuition that is an indisputable part of our craft. But, we also figure a little check-listing never hurt creative types, and it’s all about balance, right? Right. Without further ado…

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Previous study: Study 11 / Designer: Design Kompany / Project: Million Monarchs
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Latest Process Article

06.28.2010 / Author: Speider Schneider

Yin Yang, Oil and Water, Creative and Marketing.

Is there an eternal struggle between marketing and creative for control of the known universe? What are the issues that cause friction and does “team vision” leave creatives out of the “team” when “design-by-committee” comes into play?

The power struggle isn’t a struggle when one part of the team willingly gives up their power. There are ways of retaining control without being branded as “difficult” or “inflexible.” The process of crossing department lines is a major stumbling block in modern business and it at least doubles workforce efforts at a time when streamlined initiatives need definite and swift action for positive ROI.

This article explores situations and responses to address those comments that neuter creatives at every turn and restore balance to the workflow and innovation to the end product.

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Previous article: Personal Branding for Creatives. Becoming something else.
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Latest Process Discussion

06.14.2010 / Submitted by: Matt Van Ekeren, Author of Study 10

What constitutes an original idea, based on a similar concept? What is your stance on borrowing ideas from what others have done? When does it get too close to stealing?

The Tenfold Collective's answer:

Originality is something people like to talk about a lot. And we all have our own hopes centered around it. It’s an artist / designer preoccupation, one that makes you feel very proud or very ashamed as the case may be. Because of this preoccupation, it’s important to remember in the context of this discussion that whatever we’re doing, it most likely came from somewhere else. This is not a cop-out. The evidence is in every freshman art history class if you’re paying attention. We can’t avoid ‘borrowing’ ideas from others. It happens naturally with both visual and non-visual input. So, in the sense that we all stand on someone’s shoulders, there’s a certain amount of inevitability.

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Previous discussion: Should a Logo Seen On It’s Own Have Clear Meaning? Why?
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